Her multi instrumentalism (guitar, autoharp, banjo, keyboards, concertina), her unashamed fealty to the politics of folk music (where gender wars, labour laws, ecology and Napoleon jostle for space), and her magnificent voice conspired to still a surprisingly small crowd who hung on her every note and syllable. - Siobhan Long, Irish Times

On Almost Commerically Viable, both Peggy and Irene's voices are really fresh, despite their combined ages of over a century. Peggy sounds clear and sharp in the hard-hitting song 'Guilty' and seductive in the jazzy 'Sweet Heroine'. Irene has a soft voice, high and light, which complements Peggy's voice well.
- Andy Malkin